SterekWeek: Day Six - Sterek AU
Single father Stiles meets a handsome stranger on the train…
Ever heard of editor Marcia Lucas? There’s a long, fascinating history of her life over at The Secret History of Star Wars:
Biographer Dale Pollock once wrote that Marcia was George Lucas’ “secret weapon.” Most people are aware that George Lucas was once married, and probably some are aware that his wife worked in the film industry herself and edited all of George’s early films before their 1983 divorce. But few are aware of the implications that her presence brought, and the transformations her departure allowed. She was, in many ways, more than just the supportive wife—she was a partner as well. “Not a fifty percent partner,” as she herself admits, but nonetheless an important one, and the only person that Lucas could totally confide in back then. Today, she has been practically erased from the history books at Lucasfilm.
Mark Hamill (a.k.a. Luke Skywalker) says Marcia was the “warmth and heart” of STAR WARS, and points to a radical shift in George Lucas’s filmmaking after their divorce:
[George is] in his own world. He’s like William Randolph Hearst or Howard Hughes, he’s created his own world and he can live in it all the time. You really see that in his films, he’s completely cut off from the rest of world. You can see a huge difference in the films that he does now and the films that he did when he was married. I know for a fact that Marcia Lucas was responsible for convincing him to keep that little “kiss for luck” before Carrie [Fisher] and I swing across the chasm in the first film: “Oh, I don’t like it, people laugh in the previews,” and she said, “George, they’re laughing because it’s so sweet and unexpected”—and her influence was such that if she wanted to keep it, it was in. When the little mouse robot comes up when Harrison and I are delivering Chewbacca to the prison and he roars at it and it screams, sort of, and runs away, George wanted to cut that and Marcia insisted that he keep it. She was really the warmth and the heart of those films, a good person he could talk to, bounce ideas off of, who would tell him when he was wrong. Now he’s so exalted that no one tells him anything.
Marcia, who was always pushing George to focus on story and character, also provided a crucial woman’s perspective to Raiders of The Lost Ark:
[Marcia] was instrumental in changing the ending of Raiders, in which Indiana delivers the ark to Washington. Marion is nowhere to be seen, presumably stranded on an island with a submarine and a lot of melted Nazis. Marcia watched the rough cut in silence and then levelled the boom. She said there was no emotional resolution to the ending, because the girl disappears. ‘Everyone was feeling really good until she said that,’ Dunham recalls. ‘It was one of those, “Oh no we lost sight of that.” ’ Spielberg reshot the scene in downtown San Francisco, having Marion wait for Indiana on the steps on the government building. Marcia, once again, had come to the rescue.”
In his recent piece, “Temple of Gloom,” Wesley Morris points to the Lucas’s divorce as a source of the darkness in the Indiana Jones sequel:
Spielberg, who’s two years younger than Lucas, was poleaxed by his friends’ divorce. “George and Marcia, for me, were the reason you got married … ” he told 60 Minutes in 1999. “And when it didn’t work, and when that marriage didn’t work, I lost my faith in marriage for a long time.” Spielberg had his own problems. He’d just split with Kathleen Carey, a girlfriend of three years. A few months earlier, Spielberg had told People, “I think Kathleen and I will have kids.” Suddenly, the two most successful moviemakers on the planet were under-40 bachelors.
“I was going through a divorce,” Lucas said, “and I was in a really bad mood. So I really wanted to do dark. And Steve then broke up with his girlfriend, and so he was sort of into it, too. That’s where we were at that point in time.” That’s the reason Temple of Doom… is difficult for its creators — and lots of Indy fans — to love. It’s a breakup movie. It’s a record of gloomy images that were scrolling through its creators’ heads. “Sometimes,” Lucas told me, “you go to the dark side.” For two bummed-out guys, Temple of Doom was a catalog of what it’s like to get your heart ripped out.
Filed under: George Lucas
Behind the Scenes of “All About That Bass” +
How are skinny girls supposed to feel love when your song is about loving only fat bodies?
I’m sorry, but how are fat girls supposed to feel when every advertisement, be it on television or in a magazine, when nearly every movie, shows only thin women? I am completely against body shaming, but the fact remains that there is very little positive representation for bigger girls. Thin women are considered the norm and are far more accepted and you see them everywhere you look in the media. So please, don’t take this the wrong way, but please just let me have a song that makes me, for once, feel good about my body.
ive also noticed that people always focus on one particular line of this song which apparently makes it “skinny shaming”
but nobody ever acknowledges the following lines?
the main theme of the song is giving love to larger women because larger women are so commonly shamed for their bodies, ignored by the media and generally given less love and acceptance than thinner women, but the song in its entirety is a message that all women are beautiful. People are failing to acknowledge that
so everybody at afropunk was freaking gorgeous.
black folk so damn fly
Sensory Overload and how to cope.
(click on images to zoom)
This is Patricia Yurena, the now first openly gay national beauty queen
I think this video might interest you guys.
4 days ago, Olivia Olson confirmed that Marceline and Bonnibel have dated before. The reason it has been confirmed is because the new Adventure Time book coming out soon may have details on their relationship, and their relationship obviously can’t be aired on TV because some states of America (and countries in the world) are against same-sex marriage and relationships.
But yeah, they have indeed dated before.
Can we also talk about official Bubbline art drawn by Natasha Allgeri, former character designer and story board artist for Adventure Time, and now Showrunner of Bee and Puppy Cat!?
I skipped today’s Sterek Week prompt because I don’t have the skills/energy to do a manip, but I’m going to try to do the others. ᕙ(⇀‸↼‶)ᕗ
Any suggestions for what AU I should draw and/or what I should do for the free slot?
I just need, like, a million fics featuring Stiles trying really hard to be bros with Boyd, and Boyd just sort of blandly tolerating him.
#everytime Boyd says they’re not friends #he’s like #SOON